Related Paintings of unknow artist :. | Qian Xia grandmother is a good person | Classical hunting fox, Equestrian and Beautiful Horses, 188. | Sexy body, female nudes, classical nudes 51 | They Spanish conquistadorena each they flush as cranberry through they tropical regnskogarna in Sydamerika wide 1500- digits midst. | Arab or Arabic people and life. Orientalism oil paintings 73 | Related Artists:
SEGHERS, HerculesDutch Baroque Era Painter and Printmaker, ca.1590-1638
Dutch landscape painter and etcher. Seghers's work greatly influenced early 17th-century Dutch landscape painting. He studied with the painter Coninxloo (1544C1607) and may have traveled to Italy and in the Alps. Some of the frenzy of his personal life can be seen in his rare paintings and his more numerous, masterly etchings. His landscapes consist of vast, often desolate, panoramas and powerful, smaller scenes rendered with drama and pathos. Rembrandt owned eight paintings by him, and his own landscape style was influenced by Seghers.
Pars, WilliamEnglish, 1742-82
English painter. He first established himself in London as a portrait painter, exhibiting at the Society of Artists in 1760 and at the Free Society of Artists from 1761. In 1764 he won the third premium of the Royal Society of Arts for his history painting depicting Caractacus before the Emperor Claudius (untraced). In the same year he was selected by the Dilettanti Society to accompany Richard Chandler and Nicholas Revett on an archaeological expedition to Asia Minor and Greece (1764-6). His views of Classical monuments in Asia Minor were engraved and published in Ionian Antiquities (1769), while those he made in Greece, which included pioneering drawings of the Parthenon sculptures, were used in the second volume of James Stuart's Antiquities of Athens (1777).
Vincenzo Chialliwas born at Citte di Castello in 1787. After having learned the rudiments of art in that town, he visited Rome at the age of seventeen years, and became a disciple of Camuccini, whom he afterwards imitated. After leaving Rome he painted religious subjects at Borgo San Sepolcro, Urbino, Pesaro, and Venice, from whence he retraced his steps to Rome; but as the climate did not suit him, he left that city in 1822 and returned to Citta di Castello. He became Director of the School of Painting at Cortona in 1835, and died in 1840.